The Little Owl- Mixed Media and Photography

 Little Owl photographed on local moor, May 2015
© Gayle Mason Fine Art

Little Owl - Mixed Media on Paper

I am lucky enough to live within a couple of miles of several Little Owls and have spent many hours watching and photographing them.
I had already started the painting above or I would probably have used the photograph above. That particular owl was cross at being disturbed when I came upon it unexpectedly. It certainly wasn't frightened as I walked past with two of the dogs simply turned his head to make sure I was moving on. I particularly like the ruffled feather as I think it gives the owl character.

The painting has an acrylic background and the owl is coloured pencil. I'm using Arches hot pressed watercolour paper and the finished size will be approximately 12 x 18 inches.

Maine Coon Cat on Colourfix

I've been working on this maine coon cat in between other things which is why it's going so slowly.
It's approximately 16 x 12 inches on colourfix paper.
I've been using an under painting in watercolour and then adding detail in coloured pencil using the same method that I did with the spaniel but I'm finding it a very different experience to working on watercolour paper.
I thought it might be useful to compare my findings using the colourfix against using a hot press watercolour paper.

Pro's

• The coloured paper provides a midtone which means fewer layers are needed to create the fur.
• Little work is needed to create a subtle background.
• White fur shows up against the darker paper.

Con's

• Both the watercolour and the coloured pencil sink into the colourfix requiring constant touching up.
• The rough surface of the paper eats the pencils and destroys brushes, it is advisable to only use old brushes.

I can get fine detail on both surfaces so that isn't an issue.

On balance I think I prefer working on watercolour paper so it will be back to the Arches hot pressed paper for my next work.

Wolf in Coloured Pencil

I can only work on my horse in daylight while I'm sat at my drawing table so I've started a coloured pencil wolf.
I find it easier to work with coloured pencil in the evenings.
This is approximately 12 x 9 on a stone coloured pastel paper.
I'm wishing I'd done it as a step by step because I think a wolf might be popular.

Red Fox continued

Just a quick update.

Red Fox - Take 2

I have been getting more and more disatisfied with my fox. I'm not sure if it was the ear, the muzzle, the colour, I just don't know what it was I didn't like about him. He looked more like a Corgi than a fox to me.

After spending several more hours on him I did what I should have done when the doubts set in, I started again. I know paintings go through an ugly stage but I'm usually right when I decide it's not the ugly stage, it's the terminal stage. So he was terminated and I started on Arches paper rather than board, same size, same reference. I'm much happier with him, I will add the dark background, probably after I do the eyes. The fur this time looks more like my work and he is already looking more 3D.

By the way you aren't seeing things, I'm still having trouble with his ear, I'm thinking of making hiom a battle scarred fox :)

Rather than doing another post I thought I'd just add the update. You can't really see the colours in the background, but they are there, honestly.

Still More Kitten

I've been really busy with my 'day job' so painting has had to be left untouched.

I did complete a bit more fur today, I do want to finish him over the weekend because I'm taking it to the printer on Tuesday.

I've been throwing feathers in the air today to see how they float to the ground, I knew the ducks would come in useful for something.

Macro Cat on Clairefontaine Pastelmat

I have been wanting to try my new Clairefontaine pastelmat. I cut a small piece and drew a macro tabby cat as I wanted to try the surface more than worry about drawing. So far I'm really liking it, it feels like a cross between velour and colourfix. It takes layers well, you can blend and burnish and the fur has a soft look to it.
I'll be doing a more detailed review when I finish the piece.

Monochrome Cat with a Splash

I have abandoned everything else to complete another cat.
This is mainly coloured pencil with touches of acrylic on Arches Hot Press Watercolour paper. It will be about 16 x 8 inches.
It has more colour than the ones I've done in French Grey, but I am sticking to the monochrome colour scheme.

There will be a surprise addition to the picture once the cat is finished.

Watch this space.

Continuing the Snow Leopard

I started to draw the features of the Snow Leopard and realised that:-
1. I didn't like the right ear position
2. the eyes were crooked.

Therefore I used the ear from the next photograph as the Leopard had flicked it forward, and alsoadjusted the eyes. The grid lines made this an easy task, they also enabled me to see that the nose and mouth would line up correctly.

I then painted the eyes in acrylic and started working the fur using a mixture of coloured pencil and acrylic.

It is the scan that is crooked, not my lines!

Mixed Media Deer

I've worked a little more on the deer, trying to create the feeling of recession. I have a lot of adjusting to do, but once I put the antlers in I hope things will start to come together.

I'm using Caran D'ache Neocolor for the distant hills, I will work over this base coat in coloured pencil if needed.

Red Deer in Mixed Media

I had one of those days yesterday where I didn't want to do anything serious, I just wanted to experiment.

I've found out that all being well with my pre-op tests they've moved my operation forward to this Saturday, that threw me a bit.

I have some lovely photographs of Red Deer that I've taken over the course of several years visiting the Highlands of Scotland. I have been planning a large Deer painting for a while, so yesterday I decided to do a Deer study.

This is an old stag and I wanted to leave his grey fur as it gives him character. It is on Ingres pastel paper and includes Neocolor, Coloured Pencil and Acrylic.

I'm not sure I'll finish him but it helped me to see the potential problems.

After rushing round all day to get things at work sorted out I got another phone call from the hospital to say they don't have a bed for me this weekend, I'm back to where I started, oh well.

Almost Completed Mastiff

I was trying to post the final stage on this one, but I've been so slow that I thought I'd better show you an almost completed version.

I had to have a blood test today prior to going in hospital at the end of the month. Getting blood from me is every nurse's worst nightmare. Today I really excelled myself, nurse 1 had four attempts before passing me on, nurse 2 had 2 attempts before admitting defeat and sending for a Doctor. The Doctor ignored all the usual places and went into the side of my wrist where he hit gold and creared a positive torrent. It never ceases to amaze me that if I get the tiniest paper cut I can soak everything with blood in seconds, show my veins a needle and they sink out of sight refusing to yield a drop.

More Mastiff in Coloured Pencil

Still no progress on the tiger but I have been working on the Mastiff puppy.

Rio has found a new sport, catching wasps, not only catching them, but then very noisily eating them. I'm not sure where they're coming from but he had three this afternoon. As soon as I see him bouncing round the Conservatory I know he's found another. The other dogs are horrified, Roxie thinks they're nasty dirty things that she wouldn't touch with Clinton's paw. Roma watches with a mothers anxiety, Saska can't see them (or hear them) and Juno bites Rio in the excitement. I spent my time trying to prevent Rio getting stung.

Drawing a Mastiff Puppy.

I wanted a break from the tiger yesterday and decided to do something less detailed.

This little Mastiff pup is coloured pencil on Ingres paper, about 12 x 8 inches.

I use Ingres paper when I'm not planning on many layers as I like the coloured surface.

I have a new link in my sidebar for a wildlife artist, Ian 'Griff' Griffiths, if you like birds check out his website,

These are a couple of his images.

How to Draw and Paint Cats:My Squidoo Lens

As I seem to have mainly worked on feline art over the last few months, I decided it would be useful to have all my related links together and share them with other artists.

So I have set up a squidoo lens 'How to Draw and Paint Cats'. I will be adding to my lens on a regular basis as I find links of interest to feline artists.

It is Roxie's big day next Saturday, Crufts dog show, which is the biggest show in the UK dog show calendar. I'm sure she is aware she is being prepared for something special because she is already acting like a prima donna. She has decided it is her right to have the prime spot in the lounge when we sit down in the evening. Her right to own all the toys and have all the petting, and share everybody's meals. The other dogs are not quite so willing to go along with her and today Juno sat on her, Roma her mum nipped her and Rio hid her toys. All I can say is roll on next Sunday.

I'm experimenting at the moment with various media, pure graphite, French Grey Coloured pencils and acrylic and Sepia coloured pencils. I'm not sure which I prefer, possibly for my work the coloured pencils have more impact.

The cat is the French Grey and acrylic, the Cheetah is Sepia and Nougat coloured pencil.

A Tiger ACEO

I'm trying to maintain productivity but not neglect my marketing. Today I've selected the four images I hope to submit to the 2008 SOFA exhibition later in the year and sorted out my Crufts entry so I'm feeling slightly pleased with myself.

I've also created another ACEO, a tiger but this time on drafting film.

SOLD

The rain is continuing, leading to web foot syndrome among the dogs again, even the squirrels need waders to get to the nuts. The circular stones which form a path across my garden have been transformed into miniature bird baths and the pond has overflowed into the surrounding borders. I was reminded of the Amazon when I noticed my fish could now swim among the plants, I expect if it rains for much longer they'll probably be able to make it to the Amazon.

My friend recently tried to contact me on my mobile, which was as usual switched off. If I leave it on then I forget about it, and it either rings in the middle of important meetings or the battery runs down in the middle of the night. I'm not sure why batteries always expire in the middle of the night, I think they must work to the same timetable as in whelp bitches!. Anyway Clinton is terrified of the bleeping noise expiring batteries make, as soon as the first bleep happens he comes to me to be saved. This involves him jumping on the bed and wrapping himself round my head. Even when I stagger out of bed, find the phone and turn it off, the damage is done for that night. He insists that if he doesn't remain wrapped round my head, something on the floor will get him and he wont make it through the night. After about half an hour of large, heavy, very hairy male Collie round my nose I wonder if I will make it till morning, so that is why my mobile is never turned on.

Art Materials - Part 2

The other new surface I have been using this year is Pastelbord.

I use Ampersand Pastelbord which is described as "a clay and gesso hardboard panel with a granular marble dust finish"

The pastelbord is available in four colours, sand, grey, green and white. I ordered samples of all four colours although up to now I have only worked on the sand one.

The Ampersand website shows the four colours and gives much more information on the product, including the diversity of media you can use on it.

What I want to do, is let you know what my experience of working with it has been.

The first thing I tried was a cheetah on one of the smaller panels, I used coloured pencil and some acrylic. Although it is desribed as being similar to working on sanded paper, I found that initially it was harder to work with because of its inflexibility.

Once I had adapted my working method things became much easier.

I used more pressure with the pencil, certainly on the early layers a soft touch is not required, but you can continue to add layer after layer.

I was also not successful in adding acrylic staight onto the surface, it was too rough for me to get a fine line. I did however successfully add touches of acrylic on top of the pencil.

For the background I blended the colours using the solvent 'Zest it', this worked really well.

Once finished I had no need to frame under glass, I simply varnished it.

Around the time I was starting a new painting I saw a couple of artists using Neocolor ll combined with coloured pencil on pastelbord and liked the effect they were able to get.

The Neocolor ll are made by Caran D'Ache and are a watersoluble stick of pigment.

I added these to the background and the fur of 'Shred' and liked how easy they were to work with.

Shred was the painting I was working on whilst demonstrating at the NEC, and people were amazed at the effect you could get with coloured pencils.

Again I used touches of acrylic to bring out a few highlights.

I will continue to use Pastelbord, I like the finished effect and the fact that you can frame without glass. It is vastly different from working on drafting film and the end result is different, so I would look at what I wanted the final resultto be in order to decide which surface to use.

The one draw back is that I have to order the Pastelbord from America, I have yet to find a supplier based in Europe.

To be continued............

A Christmas ACEO

I was planning this years Christmas card yesterday and liked the kitten I was drawing so much that I let him star in his own ACEO.

I added a mouse so he wouldn't feel lonely, and called it 'Waiting for Santa Paws'. It is coloured pencil and acrylic on drafting film.

My 2007 Christmas card is heading for 2008 if I keep getting distracted.

Neocolor and Masquepen

I had to take my son into Leeds today so decided to see what was new at the art shop. I found a couple of treasures, some Caran d'Ache Neocolor ll water soluble wax pastels and a Masquepen.

I've been wondering how to do the background on Shred, I was going to use coloured pencil and solvent but would have lost all the fine hairs that I have already drawn. Plus I find it really difficult to put the hair back in, on top of a layer of coloured pencil to which solvent has already been applied.

I have seen the Neocolours used by other Artists and they have created some great effects so I thought I'd give them a try. I only bought three colours, Terracotta, Vandyke Brown and white. I've started to put the background on Shred with Terracotta and I really like how it's working. I'm scribbling the colour on and then using an acrylic flat and water. The wax in the pencil is resisting the wash and my hairs are safe and sound. I can always add some coloured pencilo over the top if I want.

The masquepen is an applicator for applying blue masking fluid. The applicator end has a 0.5mm nib for drawing really fine lines.I'm going to experiment tomorrow and will post the results.

Suedeboard

I have wanted to try suedeboard since seeing some animal portraits drawn on it, quite some time ago. I have used velour which I believed to be similar, but find it more suitable for pastels, coloured pencils seem to leave a hard scratchy line.

So when I saw some suedeboard on eBay I knew I had to try it. I got some small pieces, ACEO size in various colours.

Of course I had to try a cat. This is 2.5 x 3.5 inches on the black using mainly white coloured pencil. I like the effect but have found it quite hard to work on, I don't think I would do a larger piece.

About halfway through here.